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View Full Version : [OST] VA- Slumdog Millionaire [2008]



SONiC
14-01-2009, 15:58
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Artist : VA
Album : Slumdog Millionaire
Bitrate : VBR kbps
Label : Interscope
Year : 2008
Genre : Soundtrack
Rip date : Dec-17-2008
Store date : Dec-23-2008
Size : 70,7 MB




1. O… Saya - Performed by A R Rahman & M.I.A.
2. Riots - A R Rahman
3. Mausam & Escape - A R Rahman
4. Paper Planes - M.I.A.
5. Paper Planes DFA REMIX - M.I.A.
6. Ringa Ringa - A R Rahman featuring Alka Yagnik & Ila Arun
7. Liquid Dance - A R Rahman featuring Palakkad Sriram & Madhumitha
8. Latika’s Theme - A R Rahman featuring Suzanne
9. Aaj Ki Raat - Sonu Nigam, Mahalaxmi Lyer & Alisha Chinoi
10. Millionaire - A R Rahman featuring Madhumitha
11. Gangsta Blues - A R Rahman featuring BlaaZe & Tanvi Shah
12. Dreams on Fire - A R Rahman featuring Suzzanne
13. Jai Ho - A R Rahman featuring Sukhvinder Singh, Tanvi Shah & Mahalaxmi Iyer


In composing the music for acclaimed director Danny Boyle’s intoxicating new film Slumdog Millionaire, A.R. Rahman has conjured the sound of a city, fusing the frenetic scramble of daily life in Mumbai, India into beautiful fugues that ride upon the dust clouds kicked up by its everyday people.

From the movie’s first frames — with children racing through alleyways, knocking over merchants and pottery, police kicking loose clay roof tiles, disrupted birds fluttering from gutters — we hear the sound of their commotion made manifest in “O… Saya.” It’s a rumbling hybrid of Bollywood and hip-hop, a brand new collaboration between Rahman and M.I.A. It’s the kind of cinematic moment where image and sound coexist. And that’s only the first five minutes.

Filmed in the streets and slums of Mumbai, India, Boyle needed just the right music to compliment the film’s cinema verité urban realism. He turned to internationally renowned composer A.R. Rahman (a huge star in South Asia–selling more than 100 million albums worldwide and 200 million cassettes–Rahman is one of the world’s top 25 all-time top selling recording artists.) The film’s score is central to the propulsive modern grit that pervades the story, but is also a nod to classic Bollywood productions where the music is front and center. And loud. Says Rahman, “We wanted it edgy, upfront. Danny wanted it loud.”


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